Showing posts with label body. Show all posts
Showing posts with label body. Show all posts

Tuesday, November 2, 2010

When Species Meet

"The corpse is not the body. Rather, the body is always in-the-making; it is always a vital entanglement of heterogeneous scales, times, and kinds of beings webbed into fleshly presence, always a becoming, always constituted in relating." [163]

"No matter how many trips are made to the East, in its soul Western ethics is riveted to rights discourses." [156]

"... a Web site by its nature resists reduction to single purposes and dominating tropes. Links lead many places; these paths are explored by users, within the webs that designers spin but rapidly lose control over. The Internet is hardly infinitely open, but its degrees of semiotic freedom are many." [145]

"Human genetic disease is the moral, technoscientific, ideological, and financial center of the medical genetic universe. Typological thinking reigns almost unchecked in this universe, and nuanced views of the developmental biology, behavioral ecology, and genes as nodes in dynamic and multivectorial fields of vital interactions are only some of the crash victims o high-octane medical genetic fuels and gene-jockey racing careers." [143]

"... the capacity to respond, and to be responsible, should not be expected to take on symmetrical shapes and textures for all the parties. Response cannot emerge, within relationships of self-similarity." [71]

"My premise is that touch ramifies and shapes accountability. Accountability, caring for, being affected, and entering into responsibility are not ethical abstractions; these mundane, prosaic things are the result of having truck with each other. Touch does not make one small; it peppers its partners with attachment sites for world making. Touch, regard, looking back, becoming with -- all these make us responsible in unpredictable ways for which worlds take shape. In touch and regards, partners willy nilly are in the miscegenous mud that infuses our bodies with all that brought that contact into being. Touch and regard have consequences." [36]

"In my view, Margulis and Sagan's symobiogeneiss is not really compatible with their theory of autopoiesis, and the alternative is not an additive mechanistic theory but a going even more deeply into differentiation. A nice touch is that Gilbert and his students literally work on turtle embryogeny, studying the inductions and cell migrations that result in the turtle's plastron on its belly surface. Layers of turtling, indeed." [33]

"I am instructed by developmental biologist Scott Gilbert's critique of autopoiesis for its emphasis on self-building and self-maintaining systems, closed except for nourishing flows of matter and energy. Gilbert stresses that nothing makes itself in the biological world, but rather reciprocal induction within and between always-in-process critters ramifies through space and time on both large and small scales in cascades of inter- and intra-action. In embryology, Gilbert calls this 'interspecies epigenesis.' Gilbert writes: 'I think that the ideas that Lynn [Margulis] and I have are very similar; it's just that ashe was focusing on adults and I want to extend the concept (as I think the science allows it to be fully extended) to embryos. I believe that the embryonic co-construction of the physical bodies has many more imp0lications because it means that we were 'never' individuals." [32]

"Freud is our great theorist of panics of the Western psyche, and because of Derrida's commitment to track down 'the whole anthropomorphic reinstitution of the superiority of the human order over the animal order, of the law over the living,' he is my guide to Freud's approach on this question." [11]


When Species Meet
Donna Haraway

La conscienza di Zeno

"Tullio had resumed talking about his illness, which was also his chief hobby. He had studied the anatomy of the leg and the foot. Laughing, he told me that when one walks at a rapid pace, the time in which a step is taken does not exceed a half-second, and that in that half-second no fewer than fifty-four muscles are engaged. I reacted with a start, and my thoughts immediately rushed to my legs, to seek this monstrous machinery. I believe I found it. Naturally I didn't identify the fifty-four moving parts, but rather an enormous complication went to pieces the moment I intruded my attention upon it. I limped, leaving that café, and I went on limping for several days. For me, walking had become hard labor, also slightly painful. That jungle of cogs now seemed to lack oil, and in moving, they damaged one another reciprocally. A few days afterwards, I was assailed by a more serious illness, of which I will speak, that diminished the first. But even today, as I write about it, if someone watches me when I move, the fifty-four muscles become self-conscious and I risk falling." [105]

"What's definitive is always calm, because it is detached from time." [97]

"I pursued many women in my life, and many of them also allowed themselves to be overtaken. In my dreams I captured them all. Naturally I don't beautify them by changing their features, but I act like a friend of mine, a very refined painter who, when he portrays beautiful women, thinks intensely also of some other beautiful thing, for example of a piece of lovely porcelain. A dangerous dream, because it can endow the dreamed-of woman with new power and, when seen again in the light of reality, they retain something of the fruits and flowers and porcelain with which they were clad." [81]

"Without being an orator, I suffered from the disease of words. Words for me had to be an event in themselves and therefore could not be imprisoned in any other event." [76]

"The most intense life is narrated, in synthesis, by the most rudimentary sound, that of the sea-wave, which, once formed, changes at every instant until it dies!" [61]

"In the mind of a young man from a middle-class family, the concept of human life is associated with that of a career, and in early youth the career is that of Napoleon I." [61]

"The doctor is a power when he is at a sick man's bedside." [51]

"He looked around as if he sought outside himself whatever he was unable to grasp within." [41]

"The sick animal will not allow himself to be observed at any orifice through which disease or weakness can be perceived." [39]

"My yearning for health had driven me to study the human body. He, on the contrary, had been able to dispel from his memory any thought of that frightful machine. For him the heart did not beat and there was no need to recall valves and veins and metabolism, to explain how his organism lived." [34]

"Now that I am growing old and turning into a kind of patriarch, I also feel that a preached immorality is more to be punished than an immoral action. You arrive at murder through love or through hate; you propagandize murder only through wickedness." [34]

"I spoke sincerely, as in Confession: a woman never appeals to me as a whole, but rather ... in pieces! In all women I loved feet, if well shod: in many others, a slender neck but also a thick one, and the bosom, if not too heavy. I went on listing female anatomical parts, but the doctor interrupted me. "These parts add up to a whole woman."" [16]


La conscienza di Zeno
Italo Svevo

Wednesday, April 7, 2010

Course on General Linguistics

"Linearity precludes the possibility of of uttering two words simultaneously. They must be arranged consecutively in spoken sequence." [170]

"Everything we have said so far comes down to this. In the language itself, there are only differences. Even more important than that is the fact that, although in general a difference presupposes positive terms between which the difference holds, in a language there are only differences, and no positive terms. Where we take the signification or the signal, the language includes neither ideas nor sounds existing prior to the linguistic system, but only conceptual and phonetic differences arising out of that system." [166]

"In French, for instance, the fact that r is usually pronounced as a uvular consonant does not prevent many speakers from pronouncing it as an apical trill. It makes no difference to the French language, which requires only that r should be distinct from other consonants. There is not necessity that it be pronounced always in exactly the same way. I can even pronounce a French r like the German ch in Bach, doch, etc.; whereas I could not in German substitute r for ch because German, unlike French, distinguishes between r and ch." [164-5]

"In any case, it is impossible that sound, as a material elements, should in itself be part of the language. Sound is merely something ancillary, a material the language uses. All conventional values have the characteristic of being distinct from the tangible element which serves as their vehicle. It is not the metal in a coin which determines its value. A crown piece nominally worth five francs contains only half that sum in silver. Its value varies somewhat according to the effigy it bears. It is worth rather more or rather less on different sides of a political frontier. Considerations of the same3 order are even more pertinent to linguistic signals. Linguistic signals are not in essence phonetic. They are not physical in any way. They are constituted solely by differences which distinguish one such sound pattern from another." [164]

"Just as the conceptual part of linguistic value is determined solely by relations and differences with other signs in the language, so the same is true of its material part. The sound of a word is not in itself important, but the phonetic contrasts which allow us to distinguish that word from any other. This is what carries the meaning." [163]

"A language is a system in which all the elements fit together, and in which the value of any one element depends on the simultaneous coexistence of all the others." [159]

"Linguistics, then, operates along this margin, where sound and thought meet. The contact between them gives rise to a form, not a substance." [157]

"In order to realise that the language itself can be nothing other than a system of pure values, one need only consider the two elements which are involved in the way it functions: ideas and sounds. Psychologically, setting aside its expression in words, our thought is simply a vague, shapeless mass. Philosophers and linguists have always agreed that were it not for signs, we should be incapable of differentiating any two ideas in a clear and constant way. In itself, thought is like a swirling cloud, where no shape is intrinsically determinate. No ideas are established in advance, and nothing is distinct, before the introduction of linguistic structure. But do sounds, which lie outside this nebulous world of thought, in themselves constitute entities established in advance? No more than ideas do. The substance of sound is no more fixed or rigid than that of thought. It does not offer a ready-made mould, with shapes that thought must inevitably conform to. It is a malleable material which can be fashioned into separate parts in order to supply the signals which thought has need of." [155]

"From a practical point of view, it would be of interest to begin with units; to determine units, and recognize the various kinds of units by providing a classification. It would be necessary to examine what the basis is for division into words. For the word, in spite of being so difficult to define, is a unit which compels recognition by the mind. It has a central role in the linguistic mechanism. (But a discussion of that topic alone would fill a book.) Then one would proceed to classify smaller units, larger units, and so on. By determining in this way the elements to be dealt with, a science of linguistics would fully achieve its goals, having related all relevant phenomena in its domain to one first principle. It cannot be said that this central problem has ever been tackled, or that the scope and difficulty of it have been realised. Where languages are concerned, people have always been satisfied to work with poorly defined units." [154]

"In most scientific domains, the question of units does not even arise: they are given in advance. In zoology, the animal is the obvious unit. In astronomy, likewise, there are items already separated out in space: the stars, planets, etc. In chemistry, one can study the nature and composition of bichromate of potash without worrying for a moment about whether it is a well defined object. When a science offers no immediately recognizable concrete units, that means they are not essential. In history, for example, is the unit the individual, the epoch, or the nation? No one knows. But does it matter? To study history it is not at all necessary to decide. But just as chess is based entirely on the combinations afforded by the various pieces, so too a language has the character of a system based entirely on the contrasts between its concrete units. One cannot dispense with identifying them, nor move a step without having recourse to them. And yet delimiting them is such a tricky problem that one is led to ask whether they are really there. A language thus has this curious and striking feature. It has no immediately perceptible entities. And yet one cannot doubt that they exist, or that the interplay of these units is what constitutes linguistic structure. That is undoubtedly a characteristic which distinguishes languages from all other semiological institutions." [149]

"The word as a unit is not made up simply of a set of sounds: it depends on other characteristics than its material nature. Imagine that one note on a piano is out of tune. Every time this note is played in the performance of a piece, there will be a false note. But where? In the melody? Surely not. Nothing has happened to the melody, only to the piano. It is exactly the same in the case of sound change. The sound systems is the instrument we play in order to articulate the words of the language. If one element in the sound system changes, this may have various results; but in itself, the fact does not affect the words, for they are, so to speak, the melodies in our repertoire." [134]

"If we cut crosswise through the stem of a plant, we can observe a rather complex pattern on the surface revealed by the cut. What we are looking at is a section of the plant's longitudinal fibres. These fibres will be revealed if we now make a second cut perpendicular to the first. Again in this example, one perspective depends on the other." [125]

"A language is a system of which all the parts can and must be considered as synchronically interdependent." [124]

"A stress law, like everything else in a linguistic system, is an arrangement of elements, the fortuitous and involuntary outcome of evolution." [123]

"But in order to mark this contrast more effectively, and the intersection of two orders of phenomena relating to the same object of study, we shall speak for preference of synchronic linguistics and diachronic linguistics. Everything is synchronic which relates to the static aspect of our science, and diachronic everything which concerns evolution. Likewise synchrony and diachrony will designate respectively a linguistic state and a phase of evolution." [117]

"Ultimately there is a connexion between these two opposing factors: the arbitrary convention which allows free choice, and the passage of time, which fixes that choice. It is because the linguistic sign is arbitrary that it knows no other law than that of tradition, and because it is founded upon tradition that it can be arbitrary." [108]

"... the inventory of signs in any language is countless." [107]

"At any given period, however far back in time we go, a language is always an inheritance from the past. The initial assignment of names to things, establishing a contract between concepts and sound patterns, is an act we can conceive in the imagination, but no one has ever observed it taking place. The idea that it might have happened is suggested to us by our keen awareness of the arbitrary nature of the linguistic sign." [105]

"The signal, in relation to the idea it represents, may seem to be freely chosen. However, from the point of view of the linguistic community, the signal is imposed rather than freely chosen. Speakers are not consulted about its choice. Once the language has selected a signal, it cannot be freely replaced by any other." [104]

"... if I stress a certain syllable, it may seem that I am presenting a number of significant features simultaneously. But that is an illusion. They syllable and its accentuation constitute a single act of phonation. There is no duality within this act, although there are various contrasts with what precedes and follows." [103]

"Unlike visual signals (e.g. ships' flags) which can exploit more than one dimension simultaneously, auditory signals have available to them only the linearity of time. The elements of such signals are presented one after another: they form a chain. This feature appears immediately when they are represented in writing, and a spatial line of graphic signs is substituted for a succession of sounds in time." [103]

"The word symbol is sometimes used to designate the linguistic sign, or more exactly that part of the linguistic sign which we are calling the signal. This use of the word symbol is awkward, for reasons connected with our first principle. For it is characteristic of symbols that they are never entirely arbitrary. They are not empty configurations. They show at least a vestige of natural connexion between the signal and its signification. For instance, our symbol of justice, the scales, could hardly be replaced by a chariot." [101]

"The link between signal and signification is arbitrary. Since we are treating a sign as the combination in which a signal is associated with a signification, we can express this more simply as: the linguistic sign is arbitrary." [100]

"A linguistic sign is not a link between a thing and a name, but between a concept and a sound pattern." [98]

"This means that a bridging movement may then be necessary in order to reach the position of the vocal organs required for the articulation of the second speech sound. Thus while pronouncing the s in a group sp, the lips must begin to close in preparation for the opening p which follows. But experience teaches us that such bridging movements produce nothing audible, other than one of those fleeting sounds which we can ignore, and which do not in any case interrupt the articulation of the sequence." [84]

"Freedom to link sound types in succession is limited by the possibility of combining the right articulatory movements. To account for what happens in these combinations, we need a science which treats combinations rather like algebraic equations. A binary group will imply a certain number of articulatory and auditory features imposing conditions upon each other, in such a way that when one of them varies there will be a necessary alternation of the others which can be calculated." [79]

"There are special treatises, particularly by English phoneticians, devoted to minute descriptions of the sounds of language." [77]

"For the sign always to some extent eludes control by the will, whether of the individual or of society: that is its essential nature, even though it may be by no means obvious at first sight." [34]

"A language is a system of signs expressing ideas, and hence comparable to writing, the deaf-and-dumb alphabet, symbolic rites, forms of politeness, military signals, and so on. It is simply the most important of such systems. It is therefore possible to conceive of a science which studies the role of signs as part of social life. It would form part of social psychology, and hence of general psychology. We shall call it semiology (from the Greek sēmîon, 'sign'). It would investigate the nature of signs and the laws governing them. Since it does not yet exist, one cannot say for certain that it will exist. But it has a right to exist, a place ready for it in advance. Linguistics is only one branch of this general science. The laws which semiology will discover will be laws applicable in linguistics, and linguistics will thus be assigned to a clearly defined place in the field of human knowledge." [33]

"The utterance of a word, however small, involves an infinite number of muscular movements extremely difficult to examine and to represent. In linguistic structure, on the contrary, there is only the sound pattern, and this can be represented by one constant visual image. For if one leaves out of account that multitude of movements required to actualise it in speech, each sound pattern, as we shall see, is only the sum a limited number of elements or speech sounds, and these can in turn be represented by a corresponding number of symbols in writing." [32]

"Language in its entirety has many different and disparate aspects. It lies astride the boundaries separating various domains. It is at the same time physical, physiological and psychological. It belongs both to the individual and to society. No classification of human phenomena provides any single place for it, because language as such has no discernible unity." [25]

"The linguist must take the study of linguistic structure as his primary concern, and relate all other manifestations of language to it. Indeed, amid so many dualities, linguistic structure seems to be the one thing that is independently definable and provides something our minds can satisfactorily grasp." [25]

"Language at any given time involves an established system and an evolution. At any given time, it is an institution in the present and a product of the past." [24]

"Suppose someone pronounces the French word nu ('naked'). At first sight, one might think this would be an example of an independently given linguistic object. But more careful consideration reveals a series of three or four quite different things, depending on the viewpoint adopted. There is a sound, there is the expression of an idea, there is a derivative of Latin nūdum, and so on. The object is not given in advance of the viewpoint: far from it. Rather, one might say that it is the viewpoint adopted which creates the object. Furthermore, there is nothing to tell us in advance whether one of these ways of looking at it is prior to or superior to any of the others." [23]

"The connexions between linguistics and physiology are less difficult to unravel. The relation is unilateral, in that the study of languages requires information about the physiological aspects of sound, but can supply physiology with no information in return. In any case, confusion between the two disciplines is impossible. The essence of a language, as we shall see, has nothing to do with the phonic nature of the linguistic sign." [21]

"To require that one should restrict oneself to a linguistic terminology corresponding to linguistic realities is to presuppose that we have already solved the mysteries surrounding these realities. But this is far from being the case." [19]

Course in General Linguistics (1916)
Ferdinand de Saussure